So went a recent performance at Kinderhook & Caracas: the performer, after engaging in shadow play by manipulating the position of a hanging lightbulb, “…relieves himself from his duty then relieves himself in the restroom, thus ending the performance.” Such is not untypical of the kind of works presented at Sol Calero and Christopher Kline’s Kreuzberg art space Kinderhook & Caracas, named after their respective hometowns in New York State and Venezuela. Expect an array of half-forgotten items forming elaborate sculptures, precariously-hanging pieces and the whole wide range of “folk” explored in its various connotations.